Foo Fighters, "Echoes, Silence, Patience and Grace"

Dave Grohl shows a softer side on Foos’ heartfelt latest

By Kirk Miller, Metromix

September 25, 2007

 
Critic's Rating:
3 1/2

Foo Fighters, "Echoes, Silence, Patience and Grace"
Echoes, Silence, Patience and Grace
Release date:
September 25, 2007
Artist/Band name:
Foo Fighters
Record label:
RCA
Official Web Site:
http://www.foofighters.com/
Backstory: After the ambitious but inconsistent two-disc set “In Your Honor,” Dave Grohl and company return—and offer up a quieter, more reflective tone.
 
Why you should care: Remember the band’s breakout semi-ballad “Everlong”? That tone, a mix of bombast, emotional candor and quiet-loud-quiet dynamics is present throughout “Echoes.” Grohl seems to be weathering a break-up—the usually upbeat frontman spends the record wondering, “Why did you have to go and let it die?” (from “Let It Die”) and finding himself “sterilized with alcohol…unable to feel anymore” (“Come Alive”). Although bits of punk and grunge abound, there are serious amounts of acoustic guitar and piano working their way throughout the album’s second half, highlighted by the awesomely gorgeous “Statues.”
 
Verdict: A pretty Foos album? Save for the single (“The Pretender”), this album has more in common musically and lyrically with the emo bands Grohl appears to mock on “Cheer Up, Boys (Your Make-Up Is Running).” And that’s OK—even in their softer moments, the Foos make their arena rock attack heartfelt.
 
X-Factor: The Foos’ guitar-pickin’ instrumental “Ballad of Beaconsfield Miners” was inspired by Tasmanian miners who were trapped underground for weeks and, while waiting to be dug out, requested an iPod with Foo Fighters music on it.

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